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| Dan outlines basic triangle performance techniques, including: grip, stroke, rolls and more. The corresponding photos, and video demonstration of select techniques, provide another level of tutorial with close up, over-the-shoulder and wide angle shots.
For a more "print friendly" version of the outline, click the link below. |
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| History & Terminology... | ||||||
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The modern day triangle evolved from the ancient sistrum, and instrument consisting of a U-shaped metal, wooden, or clay frame through which pass several metal rods. The sistrum was shaken or struck to produce a continuous jingling sound. |
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Most triangles will produce an adequate tone when suspended freely and played correctly. Listen for a long, pure, evenly decaying ring. The tone should not be definite in pitch |
Terminology: |
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| Grip & Perspective... | ||||
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The triangle should be handheld and played at about eye level if possible Create a 3-point system: looking through the triangle, seeing your music on a stand in front of you, seeing the conductor Rest the triangle clip on thumb and first finger Clips may be used to mount on a stand |
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| Angle & Stroke... | ||||
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Fulcrum should exist between thumb and middle finger Keep wrist movement to a minimum A stroke made parallel to the base, or about 45degrees, is commonly used A stroke should be prepared as close to the beating area as possible to eliminate any inconsistencies Sound preference of overtones and fundamental differs between each player |
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| Rests & Rolls... | ||||
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RESTS after striking the triangle can be achieved by dampening the instrument with the fingers. Study recordings and scores to determine length and duration of long notes ROLLS can be executed at the closed corners of the triangle Volume will correspond to width of the roll Use middle finger to control the triangle during the roll Speed of the roll is not required for an efficient roll |
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